
William WylerRoman Holiday (1953)film still; Paramount Pictures

William WylerRoman Holiday (1953)film still; Paramount Pictures
I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? … Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window — no, I don't feel how small I am — but I feel that if a war came to threaten this, I would like to throw myself into space, over the city, and protect these buildings with my body.
The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other places, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism — heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism — frigidity and aggression of the eye, petrification of objects. … The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.
Perhaps it really doesn't matter whether we generate a sense of meaning from within ourselves and project it onto a non-sentient universe, or perceive the objective reality of a meaningful, intentioned cosmos. Either way, our lives are changed and enriched.
God did not create the planets and stars with the intention that they should dominate man, but that they, like other creatures, should obey and serve him.