Brain the size of a planet – and here I am, counting to ten. Paul recalled the perennial – naïve and paranoid – fear that all the networked computers of the world might one day spontaneously give birth to a global hypermind – but he was, almost certainly, the first planet-sized intelligence on Earth. He didn't feel much like a digital Gaia, though. He felt exactly like an ordinary human being sitting in a room a few meters wide.
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Peer had been exhausted when he’d stopped, but after a minute’s rest he felt, literally, as energetic and enthusiastic as ever. Back in cloud-time, preparing himself, he’d edited out any need or desire for food, drink, sleep, sex, companionship, or even a change of scenery, and he’d pre-programmed his exoself – the sophisticated, but non-conscious, supervisory software which could reach into the model of his brain and body and fine-tune any part of it as required – to ensure that these conditions remained true. He resumed the descent gladly, a happy Sisyphus. Making his way down the smooth mirrored face of the skyscraper was, still, the purest joy he could imagine; the warmth of the sun reflecting back on him, the sharp cool gusts of wind, the faint creak of steel and concrete. Adrenaline and tranquility. The cycle of exertion and perfect recovery. Perpetual motion. Touching infinity.
The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other places, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism — heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism — frigidity and aggression of the eye, petrification of objects. … The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.

Raymond PettibonNo Title (The bright flatness) (2003)MoMA, The Judith Rothschild Foundation Contemporary Drawings Collection Gift, 2005
Tell me, what is it you plan to do with your one wild and precious life?
Mary OliverThe Summer Day (1990)closing line
once a Memex user had created an associative trail, he or she could copy it and exchange it with others. This meant that the construction of trails would quickly become a community endeavor, which would over time produce a vast, ever-expanding, and ever more richly cross-linked web of all human knowledge.
been carrying this line around all week — it turns the whole question of productivity into a question of attention
Tell me, what is it you plan to do with your one wild and precious life?
Mary OliverThe Summer Day (1990)closing line


