
William WylerRoman Holiday (1953)film still; Paramount Pictures

William WylerRoman Holiday (1953)film still; Paramount Pictures
The smooth is the signature of the present time. It connects the sculptures of Jeff Koons, iPhones and Brazilian waxing. Why do we today find what is smooth beautiful? Beyond its aesthetic effect, it reflects a general social imperative. It embodies today's society of positivity. What is smooth does not injure. Nor does it offer any resistance. It is looking for Like. The smooth object deletes its Against. Any form of negativity is removed. ... Smoothness is not limited to the outside of the digital apparatus. Communication via a digital apparatus also appears smoothed out, as it is mostly polite remarks, even positivities, which are exchanged. 'Sharing' and 'Like' represent communicative means for smoothening. Negativities are eliminated because they represent obstacles to accelerated communication. . . . The Balloon Dog is not a Trojan horse, it does not hide anything. There is no inwardness hidden behind its smooth surface. As in the case of the smartphone, you only encounter yourself, and not the other, when faced with the highly polished sculptures.
Julian Hoke HarrisKeeping Away Death (1959)one of two cast aluminum bas-relief sculptures on the former Fulton County Department of Health and Wellness building, 99 Jesse Hill Jr. Drive, Atlanta, Georgia
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings.